You’ve seen glimpses of the new BCMGUNFIGHTER Stock but now it’s here and available for order.
You’ve seen glimpses of the new BCMGUNFIGHTER Stock but now it’s here and available for order.
I’ve been mulling this over for awhile and the past few days have been over the top. SSD was created to educate readers on the goings on in the tactical industry and share things I found interesting. Lately, the comment section has become a magnet for disrespectful discourse and outright lies.
Spam I can live with, but the constant stream of dick measurers, internet experts, shills and trolls are getting to be a bit much. What do you guys think?
Italian gear company SOGEAR has released a limited edition run of gear such as the Spectre line of utility pouches and magazine pouches, and the Legion chest rig, in the camouflage patterns PenCott BadLands and CB62.
Tactical-Life.com has compiled a list of 12 individual plate carriers and tactical vests for use with Law Enforcement and Military, from manufacturers such as SKD Tactical and TYR Tactical.
You can read the full article at www.tactical-life.com/gear/12-top-bulletproof-body-armor-for-leos-and-military/5
LBX Tactical has launched a new webpage that allows visitors to purchase from both LBXTactical.com and LBTINC.com with single checkout capability.
Additionally, if you register with the website, you will qualify for a discount.
Glock approached Atlanta-based production company Modest to produce a spot for their G41 pistol. CraterDust, Glock’s creative agency, came up with a concept involving a Special Forces team doing a takedown of a hijacked plane on the tarmac. This inspired director Matthew Pope to utilize a single real-time shot to put the viewer in the middle of the action.
A particular scene called for a shot that started on a crane 30-feet above two parked SUVs and ended 300-yards away at the moment the plane was breached. To achieve this, Pope worked with Director of Photography Matthew Rogers and Special Effects Coordinator Drew Kimball to coordinate a shot that utilized pulleys, a Movi rig, handing off a RED Epic camera from one moving vehicle to another, and half a dozen camera operators.
Check out the behind-the-scenes video below:
You can check out the full spot here: www.youtube.com/watch?v=oYQubTQm9ys